How might you heighten your everyday practice and general melodic approach in a better way that it will bring about cleaner playing and more melodic flexibility, possibly more profound melodic understanding and all around established translations? In the first place it comes down to an appropriate perusing of the score. However, not only the notes, not simply going for ‘the right’ beat… A careful perusing and perceiving of all explanation documentations, even the proposed fingerings. They all add to a superior comprehension of both the specialized and melodic necessities.
For instance: staccato markings aidyou enormously in brisk and proficient bounces and general developments of positions, essentially in light of the fact that you can and must let go of the keys as fast as could be allowed. Via arriving at your next harmony/position, you’ve spared valuable time.
Another illustration: playing quick keeps running as required in for example a Czerny exercise or Mozart sonata. I’m certain you’re intending to play these keeps running as easily and as spotless as could be expected under the circumstances. To begin with, pick a strong fingering as a reason for your method: have a go at maintaining a strategic distance from thumbs and fifth fingers on dark keys, just in light of the fact that they’re short and require your hands to set aside a few minutes devouring development.
Subsequent to picking your fingerings, try to play your semi shakes – or quick trembles – in gatherings (regularly per four) and spotlight on connecting these gatherings. Additionally, utilize syncope rhythms to make an equivalent nature of sound all through the run.
A functional tip by Jan Wijnin regards to runs: When you continue committing a similar error amid a run (or bounce or another specialized test), center on the note or gathering of notes preceding the misstep. Mix-ups are the result or the like of terrible readiness. As it were, it’s about the correct concentration for the correct test.
Additionally, effectively search for motivation by your own melodic legends. This will put some fire in your everyday work however will likewise enable you to decide your own feeling of musicality and style.
An incredible proposal by Jan Wijn: You have to discover when you should take a shot at specialized points of interest or when you ought to just play through the whole piece to get a feeling of theextent and get used to playing relentless for 30 minutes or more. This will give you a far superior viewpoint on where you remain with this organization. Extremely going up against, yet exceptionally accommodating.
Another great tip provided by Jan Wijn: playing moderate, no less than 30% under the show rhythm will help enormously in getting a spotless execution of the piece. My fundamental run is: whether you play half rhythm, play four times as melodic and very much stated. This will enable you to comprehend and feel the music better, and will have anoteworthy impact in taking in the piece by heart.
Memorize and investigate:
Jan Wijn on remembering a completed composition: Many piano players will think that it’s hard to play through specific pieces without supposed memory slips. I generally encourage my understudies to accomplish more serious mental honing. Take a seat in a seat and raise the whole creation in your psyche. In the event that there are any segments in the piece that you can’t envision or envision the developments of your hands and that run with it, actually this is an area that you’ll have to consider all the more intently. Likewise, don’t disregard the left hand! It’s regularly to fault for these memory slips.
Basically, you have to examine your scores on the best way to manage each test. Amid a training session, changing the score as far as verbalization, progression, rhythm, enlist of the console, everything is permitted in the event that it encourages you to get it together on that particular test.